Wednesday, 2 September 2015

Mission to Lars is coming to North America...

We'll have some more news about Tom soon, but for now, we're really excited to report we have finally nailed the precious North American release. Now we just need to get enough interest to bring Tom back to the US and back to meet Lars. It will blow his mind.

Love to you all
Kate


More information soon.

For any press enquiries please contact Brigade Marketing

Dixon, NYC - (917) 551-5849 dixon@brigademarketing.com
Morgan, LA -  (310) 854-9373 morgan@brigademarketing.com

For Metallica press request, please contact Brian at BBGun brian@bbgunpress.com

And here's the all important pictures
the only finger horns, still going strong

A copy of Mission to Lars, To Sam, Love Tom - for Samantha Cameron who had a learning disabled son herself. She never thanked us so who knows if she ever got it. 

Thursday, 26 September 2013

The Royal College of Psychiatrists

We are in Glasgow, Tom, Mum and me, for the Royal College of Psychiatrists annual conference. Tom has just introduced his own film on stage to rows and rows of shrinks, he wasn't as confident as he thought he was going to be, but bloody hell, it wasn't bad for his first proper formal public speaking engagement. I have to rush in and do a panel talk with him now, but will update with more anecdotes (including buying flash trainers and a visit to the hairdressers). Toodle pip for now.

Attached, a picture of Tom, Prof Angela Hassiotis and me, last night, after a few wines (us not Angela).

Thursday, 19 September 2013

more coming soon

After Mission to Lars aired on Film4 this week I got a leedle bit of flack for not updating the blog. Weeeeel, me and Tom are going on a roadtrip to Scotland this weekend to see ladies in kilts doing Scottish country dancing, and I fully intend to fill you all in on our adventures and some of the resultant effects on Tom of making the film. Sorry we've been a bit rubbish but making a low budget film is an expensive business, it's not low budget (for us) at all, and I've been busy making rent money.

More stories and an update on where Tom's at now coming soon (ie, around Wednesday).

Thanks for giving a shit.

x

Sunday, 5 August 2012

MISSION TO LARS AND MEXICO CITY METALLICA MADNESS

Hola,

I type from Mexico City, where we just did a special screening in aid of CONFE, the Mexican equivalent of Mencap.



Incredibly, a dynamic group of MexNYLonLA types put their heads together on Skype and email, and got this special screening sorted in just two weeks. My friend Kim Machray who does all this international music showbiz stuff for a living seemed to get the whole thing whipped up in five minutes, all I had to do was ask Lars if he would come and get on a plane and give myself DVT. We screened the film to about 600 people (an lot of them in black Metallica T shirts) and followed it up with a Q&A session.

We were extremely high fivesome when Lars agreed to join us for the panel at the cool Blackberry Auditorium. He came in with security a beautiful woman and his really beautiful and kind PA, and then proceeded to be incredibly nice and charming even though he looked pretty tired. Metallica are playing eight shows in Mexico City, straight, and two hours after leaving us he would go on stage for gig number five (more of which later). A police escort was going to take him from the Blackberry to the sports stadium where they were playing. Nice.

I was very tired after crawling off an 18 hour cheap flight from the UK just 18 hours before. Tired I could handle, it was the bloating that worried me the most. I planned to wear a white dress with a thin black belt round the waist, I feared my gassy overtraveled belly would pop out from beneath it like a late stage pregnancy. In the end, I got over it. No one was there to see me. I practiced my funny line to say hello to the crowd, but in the end I just said, Hola Mexico City. Apparently it's what James Hetfield always says, so I guess it was OK that I did it too.

Lars arrived and signing loads of posters for us, asking after Tom, and taking the piss out of how many crisps we had on our rider, but no booze. We had the crunchiest and least rock n roll rider, ever. I sort of post NA/AA trailer park feast with every fizzy pop made by coca cola.


The film went down well, the translation for the subtitles had been done quite quickly so they weren't perfect, but seeing 'one's' film subtitled, well, it does make 'one' feel quite highbrow. We are now a foreign language title. We had some chuckles and belly laughs fancying the dubbed version, using Colombian soap actors for our voices, Tom's first lines being Donde este Lars, said in a growly sort of a porno south american dubbed int actors voice. Ah, yes, how we chuckled.

Anyway, where was I?

Oh yes, sitting on a discussion panel next to Lars, as you do.

There were others there, all equally superior to me in achievement and notoriety, there was Olallo Rubio (who made one of the best documentaries ever in Mexico, called Gimme the Power about an insane band called Molotov - he's like a radical and left wing hybrid of Michael Moore and Howard Stern) and Raquel Jelinek who is the director general of CONFE, the Mexican equivalent of Mencap, and also an eminent academic. Here we all are below, from left Olallo, Lars, moi, and Raquel.


Cleverly, we did not let only Metallica fans ask the questions, so we did get to talk about some diverse things, and I got to pump my fist to my chest and say, 'learning disabled man from Exmouth (Effmuff as Tom calls it) or international metal hero, we are all the same people under the skin with dreams, feelings and needs', or something equally drenched in cheese, and everyone clapped. I also thanked Lars for showing Tom the respect that so often learning disabled people are not afforded. I was not a complete oily schmooze (though I did mean everything I said, very much), I said that we had hoped (secretly) sometimes before we got to meet him that Lars might turn out to be an a'hole so that our film might have some Borat magic.

Lars said a whole heap of stuff and as soon as the video is posted to YouTube I'll post it here so you can fast forward through the bits of me guffing and get his pearls of wisdom.

People asked him why he had done the film and part of his answer was that perhaps because now he is a parent he is much more compassionate or something. I think that's someone most parents will get, I found it strangely touching though it was not an unusual thing to say. (He said between them the band had enough kids for a football team now. That day Mexico had beaten Senegal at the Olympics. Random unconnected factoids for you there). He had three wristbands on, they were from a trampoline place he takes his kids. That night after the show he was going to fly back to SF to see one of his children on their birthday.

After the show we drank Coronas and then went in a minibus with 13 other people to the Metallica show. This eight date Mexico City run, to about 30,000 people every night, if a best of from previous tours, and is like a best of the best of the best of. All the fire, and crumbling falling down stuff and the bit from the tour where two guys appear to be crushed under some rigging, all the big giant tunes and then some more fire. James Hetfield is looking as hot as I ever seen him look; I think he must have a stylist. Kirk is still cute, Rob is still muscly and greasy. Lars is still in the middle looking very European.

They are rehearsing the sets for their new film, which will be them live and in, get this, 3D. It's going to work, you just know it, it's going to be Spinal Tap meets Monsters of Rock meets Jaws 3D. I can't wait to see it, for the chuckles and thrills. Perhaps Louise Mensch will do a screening for MPs in the Commons, we could do a double bill with Mission to Lars, in all its 2D lo-fi glory.

I haven't been to a Metallica show since we made the film in 09. Lars invited me to Download to his special on stage viewing platform thingy when we showed him the film in June 2011 but I had to turn this amazing offer down because I had promised my mate I'd go to Take That. (I told some of the Mexicans that and they were beyond flabberghasted, they were flabber-appalled-ghasted. I am a little bit myself too, but I didn't want to let my friends down.) 

I regretted the Take That decision when I saw the band in Mexico last night. Seeing Metallica in Mexico, particularly the first 15 minutes, should be on everyone's bucket list. The crowd went completely ape, the floor vibrated like there was an earthquake, the roar of psychotically happy fans made a football match look like a tea party, of course there were fountains of fire. It was highly stimulating, to understate it completely. A few people came to give me a hug and say thank you for the film, because they had been to the film before they went to the gig. One of them was from Venezuela, and he wanted to know when M2L would reach there.

It was fun to be there with no filming to do. Tom would not have liked the demented, Nuremberg style crowd, if they had brought a virgin on stage to slaughter I doubt anyone would have objected. Tom only goes to the quieter Metallica gigs and only then if he's given Tom Spicer special treatment and a box to retire to afterwards.

Dear Tom, my God, I am so proud of you. People fall for him in the film and want to meet him. Some scary sneery Mexico City hipsters asked me why he hadn't come with me, and went on about how he seemed like a much nicer person than me or Will, then they went on about how handsome Will is. Oy vey. At this point I went home for the evening, thinking, a little bit, 'tossers'. 

We might persuade Tom to join us on our Mission trips, he might be persuaded if it was first class, 5* and meat pies all the way. Who knows, perhaps, one day. Tom, every time I show this film I become more and more proud of you and humbled by your sensitivity and bravery and tolerance of me and Will. I'm bringing you back tour T shirts and a signed poster from Lars, oh yeah, and Lars' love too. Nice, as Tom would say.

here is Tom (centre) outside our premiere in London on 6 June with James Moore (at right) one of the film's directors and some random chap I don't know (at left)


Watching other people watch your film has an effect on the body a bit like bad speed (I imagine); I felt very tense and I wish that I hadn't been so anxious. I didn't chill out until we got to the stadium a few hours later and got stuck into the buckets of stadium piss that passes for beer at big venue gigs around the world from Bogota to Birmingham.

It was a good night and I think we did a good thing. Hopefully we'll get distrbution in Mexico soon and we'll be back for a premiere soon.

Meantime, I could like to thank the following people for making this screening the amazing, unique and meaningful event it was

Raquel Jelinek, director general of CONFE
Pepe Nacif, producer at Amateur films
Lars Ulrich, heavy metal megastar
Kim Machray, freelance global music pr strategist
Rodrigo Hernandez Stockder, producer at Amateur films
Olallo Rubio, film director, renegade
Alejandra Hernandez Stockder, freelance event planner
Diego Jimenez Labora, owner of Blackberry Auditorium

Everyone was well cool. And Mexico City, what tiny fraction I've seen and drunk in, is a can do creative sort of a city with blessed little red tape.

We will be back.

Thursday, 5 July 2012

Some of our recent press can be seen online at:

http://www.guardian.co.uk/film/2012/jun/10/mission-to-lars-review-ulrich


http://www.thesun.co.uk/sol/homepage/showbiz/film/4360863/How-Metallica-helped-me-to-understand-the-disabled-brother.html


http://www.guardian.co.uk/film/2012/jun/02/lars-ulrich-metallica-mission-documentary-feature


http://www.holymoly.com/film-dvd/reviews/mission-lars-if-you-see-one-film-about-autistic-man-trying-meet-metallica63348



Thursday, 31 May 2012

mission to lars, tour dates


Mission to Lars will be premiered at Hackney Picturehouse on June 6th 2021 at 9 p.m. There will be a Q&A with its directors chaired by Richard Bacon after the screening.

The film tours Picturehouse theatres nationwide throughout June and July.

You can watch the new trailer here: http://vimeo.com/42276975 or visit the website here: www.missiontolars.com

Random dates everywhere from Inverness to Devizes are being added all the time, so ask your local independent cinema, you never know, we may be on there.

Directed by James Moore & William Spicer this is a film that looks beyond disability, and uncovers the soul of a very cool guy. Mike Lindsay from Tunng scores, and the soundtrack includes Bob Dylan, Devendra Banhart and Blur.

Full list of theatres here:

Wednesday 6th June (PREMIERE) Hackney Picturehouse, London (+ Q&A with directors & Richard Bacon)
showing at 21.00 hrs.
Tickets £ 10.00
Booking 0871 902 5734
Hackney@picturehouse.co.uk
 Hackney Picturehouse
270 Mare Street
London E8 1HE


Thursday 7th June Lexi Cinema, Kensal Rise, London with Q&A
showing at: 18.30
Tickets £ 10.50
Booking:  0871 704 2069
194b Chamberlyne Rd
Kensal Rise
London NW10 3JU



Friday 8th June Ritzy , Brixton, London (one night only with Q&A with directors)
Showing at 20.40 hrs. 
Tickets £12.10
Bookings 0871 902 5739
ritzy@picturehouses.co.uk
 Ritzy Picturehouse
Brixton Oval
coldharbour lane
London SW2 1JG


Friday 8th June Gate Cinema, Notting Hill, London
showing at:
Tickets: £10.50
Bookings: 0871 902 5731
Gate Picturehouse
87 Notting Hill Gate
London    W11 3JZ



Wednesday 13th June Aberdeen plus Q&A
Showing at: 18.30hrs
Tickets:  £8.50
Bookings 0871 902 5721
 The Belmont Picturehouse
49 Belmont St
Aberdeen
AB10 1JS

  
Thursday 14th June Grosvenor Cinema, Glasgow plus Q&A
Showing at 20.40 hrs. 
Tickets £8.00
Bookings 0141 339 8444
Glasgow@picturehouses.co.uk
Grosvenor Cinema
Ashton Lane
Hillhead
Glasgow


Friday 15th – Thursday 21st June Ritzy, Brixton          
Showing at 20.40 hrs.
Tickets £12.10
Bookings 0871 902 5739
ritzy@picturehouses.co.uk
Ritzy Picturehouse
Brixton Oval
coldharbour lane
London SW2 1JG


Saturday 16th June Bath  Plus Q&A
Showing at 15.30hrs. 
Tickets £8.00
Bookings 0871 902 5735
 Little Theatre Co
St Michaels Place
Bath BA1 1SF



Sunday17th June Exeter Plus Q&A
Showing at 20.00 hrs.
Tickets £8.50
Bookings 0871 902 5730
Exeter@picturehouses.co.uk
Exeter Picturehouse
51 Bartholomew St West
Exeter
EX4 3AJ


 
Monday 18th June Southampton Plus Q&A
Showing at 18.30hrs. 
Tickets £7.50
Bookings 0871 902 5377
harbourlights@picturehouses.co.uk
Harbour Lights Picturehouse
Ocean Village
Southampton
SO14 3TL


Thursday 21st June Greenwich Picturehouse Plus Q&A
Showing at 20.40hrs.
Tickets £9.50
Bookings 0871 902 5732
Greenwich@picturehouses.co.uk
Greenwich Picturehouse
180 Greenwich High Rd
Greenwich
London SE10 8NN


Friday 22nd – Thursday 28th June FACT, Liverpool Plus Q&A
Showing at: 18.15hrs
Tickets:  £8.50
Bookings 0871 902 5737
Liverpool@picturehouse.co.uk
 Picture House at FACT
88 Wood Street
Liverpool
L1 4DD

Friday 22nd – Thursday 28th June Stratford East Picturehouse
Showing at: Fri 22nd &Sun 24th – 2p.m; Sat 23/Tue 26/Wed 27 – 6.30 p.m; Thur 28 – 8.30 p.m.
Tickets:  £10.50
Bookings 0871 902 5740
Stratford Picturehouse, East London
Salway Road
London E15 1BX


Saturday 23rd June Open City Docs Fest
Showing at: 15.45
Tickets:  £5.00
Bookings:
Darwin Theatre
UCL
Torrington Place
London WC1 E6



Sunday 24th June Cambridge
Showing at:  13.30
Tickets: £7.50
Bookings: 0871 902 5720
Cambridge@picturehouses.co.uk
Arts Picturehouse
38-39 St Andrews Street
Cambridge
CB2 3AR


Monday 25th June Tyneside Newcastle
Showing at: 18.10hrs
Tickets: £6.95/8.00
Bookings: 0845 217 9909
Tyneside Cinema
10 Pilgrim Street
Newcastle upon Tyne
Tyne and Wear
NE1 6QG




Thursday 5th July Cameo, Edinburgh Plus Q&A
Showing at: 18.15 hrs
Tickets: £7.00
Bookings: 0871 902 5723
Cameo@picturehouses.co.uk
38 Home St
Edinburgh
EH3 9LZ



6th July Oxford Plus Q&A
 Showing: 18.30hrs
Tickets: £8.70
Bookings 0871 902 5736
Phoenix@picturehouses.co.uk
Phoenix Picturehouse
57 Walton Street
Oxford
OX2 6AE

9th July York Plus Q&A
 Showing: 18.30
Tickets: £8.20
bookings: 0871 902 5726
cityscreenyork@picturehouses.co.uk
City Screen Picturehouse
13-17 Coney Street
York
YO1 9QL

11th July Norwich Plus Q&A
 Showing: 18.30
Tickets: £8.50
bookings: 0871 902 5724
cinemacity@picturehouses.co.uk
Cinema City
St Andrews St
Norwich
NR2 4AD

12th July Brighton (+ live music from Heavy Load)
 Showing: 21.00
Tickets: £8.50
bookings: 0871 902 5728
Dukeofyork@picturehouses.co.uk
Duke of York
Preston Circus
Brighton
BN1 4NA
Links:

Thursday, 17 May 2012

mission to lars tour dates and trailer


MISSION TO LARS TOUR of Picturehouse Cinemas

We are doing some talking often with interesting people at every one of these dates, although only once at the long run screens - Ritzy, Gate, Stratford and Liverpool - because honestly, we really aren't that interesting. 


If you want to meet Tom, he has confirmed only the premiere in Hackney on 6 June and at his home city of Exeter on 17 June. 


We've seen him sign autographs before, maybe, just maybe, he might again... Nah, not confirming anything. If you think rock stars are unpredictable, you should meet our fragile X superstar brother Tom (which you might, then again you might not, and so on)

Book through your local Picturehouse, or at http://www.picturehouses.co.uk/

Like a Hollywood motion picture we also have a wicked trailer


6th June Wed Hackney (premiere, with Q&A afterwards moderated by TeeVee's Richard Bacon)
7th June Thu Lexi Kensal Rise (not a Picturehouse: http://thelexicinema.co.uk/)
8th June Fri Ritzy Brixton (one off with Q&A)
8th June Fri-Thu (plays for one week) Gate Cinema
13th June Wed Aberdeen
14th June Thu Grosvenor Glasgow
15th June Fri-Thu (plays for one week) Ritzy Brixton
16th June Sat Bath
17th June Sun Exeter
18th June Mon Southampton
21st June Thu Greenwich Picturehouse
22nd June Fri-Thu (plays for one week) FACT, Liverpool
22nd June Fri-Thu (plays for one week)  Stratford
24th June Sun, Cambridge TO BE CONFIRMED
25th June Mon Tyneside Newcastle
5th July Thu Cameo Edinburgh
6th July Fri Oxford
9th July Mon York
11th July Wed Norwich
12th July Thu Brighton (+ live music from Heavy Load)


Dates to be confirmed, Leeds and Inverness




Wednesday, 2 May 2012

CLICK ME

Click this http://vimeo.com/38366274 to see the first minutes of Mission to Lars

We have a website now www.missiontolars.com

We have a date for the premier, Wednesday 6th June 2012 and tickets will be for sale on Picturehouse website soon: http://www.picturehouses.co.uk/

Our Facebook LIKErs are growing: FACEBOOK

And reviewers, journalists and others are starting to see and like the film.

Moving onwards and upwards while occasionally tripping over our own shoelaces

LOVE M2L

Monday, 16 April 2012

MISSION to LARS, a press release.

This dropped into my email inbox. A press release about my own film of mine. And Tom, who calls it, 'My film'. Nice.

‘ MISSION TO LARS’ documentary gets cinema release in June.


‘Mission to Lars’ is an uplifting documentary feature film about Tom Spicer, a learning disabled man who, with his siblings help, goes on a transatlantic quest to find his much obsessed over hero, Lars Ulrich of Metallica.
Tom has Fragile X Syndrome, a sort of autism. All he's ever wanted is to meet Lars. After 20 years and 10,000 times of asking his journalist sister, Kate, when he was going to meet Lars, she finally cracked. This is a film that looks beyond disability, and uncovers the soul of a very cool guy.
Kate and filmmaker brother, William, break Tom out of his care home in Exmouth, and hit the road, from Bristol , to Heathrow, to LA, to Las Vegas and beyond. ‘Mission to Lars’ was made by William Spicer and James Moore. Both were veterans of music and brand promos, but complete movie novices.  “We had this fantasy of hitting the road with Tom and recreating some of the magic of our teenage years cruising around in £100 cars, eating Burger King and listening to heavy metal on the tape deck,” says Kate. “We thought it would be fun, bonding. We wanted to do something good for our brother. We were also sick of him endlessly asking.” It doesn't take long before the hoped for dream becomes a nightmare as Tom’s disabilities, the dysfunctional family, and Metallica’s labyrinthine backstage world thwart the Mission at every turn.
At a fingernail destroying screening last summer (the night before Metallica headlined Sonisphere Festival), the Spicer family showed their film to Ulrich.  The Mission to Lars production team squirmed with anticipation: would he like it? Yes, he liked it.
‘ Mission to Lars’ is already garnering admiration, The Financial Times’ Antonia Quirke had this to say “I loved this film. More of a classic quest film than a documentary. It's so touching and open-hearted, and has so many magical moments. It feels really epic.”
The film has three goals: entertainment, awareness raising and fund raising. All profits go to Mencap, and the film has charity status. In raising money for the film, the producers also raised over £25,000 for Mencap. The film’s cinema release is being used as an outreach opportunity with talks and events following every screening. Many people, from colour graders, sound mixers, Bob Dylan, screening rooms and the production assistant have given their talent and/or time for free. Kasabian donated stuff for them to sell to raise money, Huey from Fun Loving Criminals put them in touch with some text book tour managers to try out their blagging skills on, although the scary looking dudes backstage at Metallica’s show turn out to be loving pussy cats.
‘Mission To Lars’ has a small theatrical release through Picturehouse cinemas in the UK in June, but profits will continue to be paid to Mencap for as long as the film has a life, DVD, intern ational sales, etc. Mencap have been closely involved in the making of the film. Their belief is that the film, in an entertaining and universally understood way, tells the story of the confusing family dynamics around learning disability, and portrays Tom as a complex and likeable character, and not as someone one sees first as learning disabled and everything else second.
Mike Lindsay from Tunng  scores, and the soundtrack includes Bob Dylan, Devendra Banhart and Blur. 
The film is giving all profits to charity and everyone has donated time and music for free. 


MUSIC HAS A BIG HEART

‘ Mission to Lars’ goes on cinema release in June.
Watch a trailer here http://vimeo.com/38366274   
 www.missiontolars.com
For more information/screening dates  contact Kas Mercer on 0208 354 4111 or email kas@mercenarypublicity.com

Sunday, 1 April 2012

homework

I'm trying to write a press release, aka, homework.

You'd think after 20 years of reading them I'd know how that's done. Must've not been paying attention at the back.

Our premier is in early June, a special charity preview screening is in early May. Then we take the film on the road, and at the end of July go to show it to a bunch of Metallica fans in California at Orien Fest.

Meanwhile, I have to write a press release/homework.

HOMEWORK ALERT

More soon. In the meantime, if you don't mind giving us a LIKE on our Facebook page, it'd be helpful.

HOMEWORK ALERT still flashing, noisy

Thanks.

HOMEWORK ALERT now so loud cannot breathe

must.do.homework...

Friday, 13 January 2012

Waiting waiting waiting

Soundmix - nearly complete; colour grade - done. Finished film by end of February. Will do a friends and family screening, for crew, investors and a few key supporters round Valentine's Day. Website should be active by then too. Apparently the tardiness is my fault, because I haven't written all our publicity and website material.

It's painful work, and watching myself on film is excruciating. If there are any profoundly altruistic film PRs out there...

Seen Tom a lot lately. He's been having some big adventures, like, taking the bus to Exmouth and disappearing for a day. He was registered as a missing person, and police were taking it very seriously, given that he is considered vulnerable.

He rang Mum on his mobile to say he was lost, then lost battery. He's only recently been allowed on the buses on his own and is meant to stick to only the buses with numbers he recognises. Pushing the limits, the day before he went not just to Exmouth on the bus, but on into Exeter.

Well done Tom. Then, this. Where had he gone, where did he get to. Mum said he sounded frightened. We all went into full on flap mode, my Mum couldn't stop crying. And then, around 8pm, he walked through the door at Bystock, his home, and asked where he's been he said, Plymouth, and went straight to his room.

that's plymouth bus station's graffiti there on the right

He'd got lost and found his way home. I wish I knew more, but extracting details from Tom isn't always that easy.

We've taglined Mission to Lars, "everyone deserves one big adventure".

Seems Tom's got an appetite for them.

Me and him are going to take the bus to Bickington next time I go to visit him. I asked him where he'd really like to go and he said, "Don't mind, somewhere far away from here."

Ahhh Mumbo. You are so excellent. I can't wait to get you up on a big screen and let people judge you, then think again. the label, 'learning disabled' takes so much away from what people imagine you are capable of.

x

Wednesday, 9 November 2011

No post for two months and then twice in one day. It's like buses this blog

Thought a couple of photos of Tom living large on his 40th birthday celebrations might provide warmen the cockles. I am especially proud of the boadyboarding...

It was hard work getting Tom in that wetsuit, took three strong men...

...but once he was in we were cooking on gas

walked through Newquay, rolling with my crew, lots of pisstaking


met Brendan, the instructor at Rob Barber's Body Boarding School

...caught some waves, man. no sweat

afterwards the lovely people at rob barber's gave tom a birthday cake

then we all went home to have 'posh dinner' and Tom made a short speech.

Afterwards he opened some birthday presents. His electric drumkit left him speechless

Happy 40th Birthday Bro, for you I really mean it when I say life begins n all that shit. You've climbed some big mountains in recent years, and I think you're feeling good about yourself...

Loutallica, Lousie Mensch, wet people, hard people, Tom's 40th birthday

Watched Metallica and Lou Reed play Later with Jools Holland last night. White Light/White Heat was a satisfying mash up of poetry, french pop music and perky heavy rock, and while the album might be about sad things, tortured artists and wotnot, I found that one song poificktly cheery. Not sure what the Metallers think though. It's not exactly Master of Puppets

I shuffled myself into a camera free corner and watched lots of familiar faces from Metallica's backstage world act really busy and important. I didn't have the balls to go and say hello, but they were all there. Lars' drum tech, the manager, the security guy, bald Tom who always wear boot cut jeans and looks really mean. Tom Spicer was slightly obsessed by him, and for a while I worried that his affections would shift from Lars to Tom the security guy mid filming.

This did not happen with Tom the security guy, but by the time we got really close to the centre of power there was a very great danger that Tom Spicer was going to do a capricious volte face and make James Hetfield the object of his affections.

I know that Lars is his one true hero but Tom Spicer does like to keep us on our toes.

And how was LwJH?

There were the great, the good, the bad and the ugly of the Metallica world in that TV studio. I didn't walk in front of a camera to press flesh network and sshnuffle up to showbiz-metal botty, but I did go and say hello to Louise Mensch and her husband, Peter, the big boss man at Metallica's management company Q Prime.

She was very lovely and charming and friendly and (to drop in a note perfect bad feminist detail here) has a ludicrously good body for a 40 year old mother of three. She told me she'd followed the blog when we were adventuring across America in our exploding toilet RV trying to find Lars; Peter Mensch didn't know what the hell I was on about until she did some wifely nudging and then he was very, very, briefly friendly. I suppose in music management terms Q Prime are like Barack Obama, but a lot better with money and planning, but slightly less urbane looking.

Man, for rock impresarios at the top of the premier league, Mensch was wearing some superbad jeans, as in, ugly, not 'bad' as in 'good'.

Mensch was the first person I spoke to in the management realms as we tried to make M2L happen. I rang him in NY from London late one night and I will never forget that phone conversation. The man was scary. I was lying on my sitting room floor, taking notes of the conversation (HOW I WISH I HAD RECORDED IT, a lesson to me there) and he was saying, with real big boy menace, words to the effect of, 'without our blessing at Q Prime you're fucked you little pip squeak nobody'

It was an exciting moment, and I knew that if I was working in, say, arms sales or organ sales, I couldn't have met a nicer guy. No, I'm joking, he was firm but fair. Frankly, I was seriously impressed. Working at home, alone, with occasional forays to the library and Ibiza, I have become a pussy. I'm wet. Occasionally I sally forth into newspaper offices where I always regret not having packed a helmet. The world of work is a tough place, and I am a freelance wetty. The world of heavy metal work is appropriately, a really really tough place. It's appropriate that Mensch's wife is an MP. Those two must be major hard asses.

Louise Mensch was a good egg. (She sits on the Culture Media and Sport Committee Murdoch inquisition but our glorious lady journalists are only interested in whether she has had a facelift or not - er, who gives a toss? I'd hazard fillers and botox, but what do i know, I only have them myself.) She asked me if Tom was at the filming and I said no, it's his birthday today (8th December) and he was in Cornwall having one of his beloved 'posh dinners' with his mate Bob, who is another hero of Tom's, but one we don't have to chase across America to find. She said he should have been there, and I felt sister shame and like those characters in Little Britain who use their kid's terminal illness to meet stars they want to meet.

Ah yes, the film, where is the film now. The film is waiting to hear which film festivals it has or has not got in to. And it is finished, fully graded, locked and all those other filmy business words I don't actually understand.

Anyway, better shuffle off to the library to be wet. Enough of this blog shaped wambling, it's time to do some efficient terse journalism.

Goodbye.
Ah hello again...
We have a Facebook page now, please come and visit it and say something friendly, or rude, either's cool. Don't know where the promised website is. (OY, WEBSITE DESIGNER - you know who you are - GET YOUR FUCKING ARSE IN GEAR or I'LL COME AND KICK IT FOR YOU. HELLO!?)

Ah, sweet, I'm not such a wetty afterall....

PS. Check out Mencap's Little Noise sessions, Being a wetty, I'm holding out for Chris Martin on 24th

Wednesday, 7 September 2011

WEBSITE

Soon, this modest, amateurish, heartfelt blog will turn into a proper website. This will function like buying a load of new sports gear and get me all excited about doing something that I was getting a bit slack at. It will function like that new geometry set and pencil case I got in August for the new term in September. It will encourage enthusiasm and it will force me to blog regularly, it will force me to search for meaning and answers where currently I push things under the carpet to resolve themselves.

Navigating the festival application political dance and wondering how much money to spunk on PR is currently the thing I am least able to think about.

By the time I blog again, at greater length, it will be something else.

We have been blessed with some blinding support since the film's come closer to the final edit, from some truly excellent people. We have secured theatrical release and a few other things I can't write about without getting myself in do-do. It is nearly impossible to celebrate any successes when everything else, hanging, is a potential failure.

Do I sound glass half empty when it is actually three-quarters full?

That's because one person's decision can affect so many outcomes. It's a well-known cause of IBS, I'm sure...

Adieu, til next time. Hopefully on a propa site, with moving shit n buttons n stuff

Saturday, 23 July 2011

Wading through a stack of scientific papers. "What would Lars say?"

I should have done this in a meticulous detailed way not months, but years, even a decade ago. As ever I have left everything until a few weeks after the last minute and I sit on a train to Devon elbow deep in genetic and behavioural development research papers trying to learn as much as possible about Fragile X in a day.

A minor (ok, medium to major) creative and ethical division is our latest elephant in the room. There is yet another difference between the boys (the boys being the two MEN who directed the film, James Moore and William Spicer - yes, the latter is some relation) and me (me being a sort of producer come executive producer come lumpen prole fundraiser and self-effacing emo philips monkey in front of the camera gimp).

What is this conflict all about?

I wonder if we can't layer some more sciencey science into the film, something that explains the effect of having a fragile x chromosome on my brother Tom more explicitly?

The boys think that the film needs to be a rolling tale, an emotional journey, and that just having this intense portrait of Tom and his siblings ranging outside of our collective comfort zones, is asking enough of what is a simple and emotional story.

I agree with them, and I have seen documentaries with too many cute devices that muddy the simpler and more important tale. In a gay way, documentary of this sort is a bit like style and architecture. Less is more.

I figure the cure for this little dilemma is to read, loads. Sleep on it. Write some lists. Watch the film. And then talk to James at the Wellcome Institute (who have given us a bit of a grant for the film, rather pleasingly) on Monday. Thankfully, William is away. While the bitter and simmering differences between us have gone, they are easily dredged up the minute we have disagreements. Kids and animals, pah. try working with younger brothers.

Will call Tom and ask him what he thinks, fairly sure he will says, "Er," thinking pause, "Dunno. What would Lars say?"

Okelly doke. Thanks for listening.

PS. Below is some information about Fragile X Syndrome, from release issued by lab developing treatments. Should add, Tom hates taking pills, and (aside from a short period requiring a whole other post) never has taken them - except for imaginary hangovers.

Fragile X Syndrome is the most common inherited form of mental impairment and
the most common known cause of autism. Fragile X Syndrome is caused by a
mutation of a single gene, the Fragile X mental retardation 1 (FMR1) gene, on
the X chromosome. The FMR1 gene produces a protein needed for normal brain
development. Individuals with Fragile X Syndrome lack this protein and, as a
result, exhibit a number of behavioral and physical symptoms including mental
and developmental impairment to varying degrees, attention deficit and
hyperactivity, autistic behaviors, anxiety, large physical attributes,
particularly of the face, and seizures. Fragile X Syndrome typically impacts
boys more severely than girls, with 20% of boys also receiving a diagnosis of
autism. There is no cure for Fragile X Syndrome at this time. A variety of
medications and behavioral interventions are used in an attempt to address
individual symptoms of the disease. Drugs currently used primarily focus on
treating specific symptoms such as anxiety, or improving and controlling
behavior.

Friday, 15 July 2011

friday 15th July, literary salon, latitude festival, 545. you coming down?

Dongles ahoy! I'm sitting in the car going up the A12 to Latitude Festival, if this road is an artery there's a heart attacks ahead - probably mine if the traffic doesn't get budging.

Baby's first "Performer Campsite and Car park" sticker is already displayed proudly on the windscreen, like a 14 year old who doesn't take off their festival tags all year, if I didn't know what a modest and self-effacing person I was, I might think better I was showing off.

Latitude is a music festival with literary and arts bells on and an ideal place to do a test screening of the film. I'm also interviewing some authors in the Literary Arena and, cough, playing some music, cough, disc jokeying (yes i spelt that right) in the Sunday Times Style tent.

Not sure which makes me feel the more nervous, but showing a (special Latitude festival edit of the) film to people with no connection to it is definitely hairy. In the last few weeks we've shown the near finished product to Important People and had some useful and cheering response. I felt something close to elation when we got the clearance from the Metallica people who could have majorly obstructed our access to footage and music. There's an amazing story to be told there, but not today, while I am driving and typing and eating M&S carrot batons while trying to find the right exit off this road with a bad cold. Man, this road is BUNGED UP.

If you know anyone at Latitude, send them down. Tonight we're on 5.45 til 6.45 in the Literary Salon. I'll get some drinks in. It was my birthday yesterday so I am pining for hair of the dog. That is definitely not something I am doing while driving.

Thanks for listening. Screeeeeeeeeeeeeeeeeeeeech. Crash

Monday, 16 May 2011

Money is like buses...Wellcome and a Little Party and Cheques Pushed Down My Dress

So there we were, staring into the abyss of pennilessness, wondering if Will and James could finish the edit and sound and do the graphics themselves, after work, after the kids had gone to bed, for nothing, and other tales of near impossible creative sacrifice.

There was about £2K in the Mission bank account and this was all we had to finish the bugger off. I have often compared the process of making a low budget independent documentary for free, when you are doing 'proper' paid work in the daytime, to an endurance steeplechase, you get over one hurdle and relax for two seconds before looking up to see the next one ahead. Occasionally one of the hurdles feels like the last and you romp home, hopefully, only to see another round the corner. Thus is goes on, endlessly. It can be demoralising, oh yes.

We desperately needed money to finish the film. Our application for a grant from the Wellcome Trust looked like it wasn't going to come through, I gave up on that. My fledgling film producer's pleas and little begging paws and round saucer-like eyes had got me nowhere on the fundraising front. I had to own responsibility for completely ballsing up an application for an important festival, and he we hadn't got in. I felt shit, then shitter. if only I was an American Tigger and could put a self-loving spin on it all; I'm a self-loathing Eeyore, and it was making my ears droop so low they grazed the ground even when I was in heels.

Miserable or not, we needed money and self pity wasn't raising a bean, let alone a penny.

The only thing I knew how to do well was throw a knees up. The second Mission to Lars party was launched.

Sigrid Wilkinson helped, she hosted the thing, put her name to the invite, she has an arts consultancy called, erm, Arts Co, and that in itself was an endorsement. She worked like a Trojan, and between us we found some great auction lots which I'll attach as a document on another post if you are curious. They had to be auction lots people would actually want. Don't you hate those dodgy auctions that involve golfing weekends and spa days. Like, SO WHAT.

Darling Justin of Joybear Pictures; the caring porn tycoon and son of a Jewish upper west side socialite came through with another walking talking part in his beautiful fairtrade pornos. Julian Wild, Sophy Rickett and Gavin Turk donated art. The world Famous Dixon Brothers offered to pimp an iPod, John Torode offered a masterclass, Five year memberships for Milk and Honey in London and NY, Pascal Dangin said he would do what he normally only does for the cover of the best Vogues, and retouch any photograph. I thought the auction lots were cool. We made some raffle tickets and begged and borrowed more prizes, Jeroboams of MiP my favourite rose from Lea and Sandeman and some undercrackers by Dirty Pretty Things. Amazingly, when people know someone else is paying for the party and all the money raised is going to proper causes and not dodgy overheads, people are so generous. Even my wild friends over in Ibiza offered some very generous stuff.

Hawksmoor did the food for cheap, we invited good and caring people, interested people, many of whom mentioned when they got the invitation that actually, yes, they had learning disability in their family and they really wanted to support us. Frantic and a bit panicky that it would all go tits up, there was actually a lot of love in the room before we all actually, erm, got in the room.

The whole thing was a bit more smart than the last dinner, auction, rave up I'd thrown to get us enough dought to get out of the country and on the Mission in the US. We got Greg Sanderson, the editor of The Review Show, to come and compere a bit of a chat with me and Will; John Battsek turned up from Passion Pictures - which I was pretty grateful for given that the night before I'd sat in the 1400 strong audience with Mick Jagger and other epic sorts at the premier of his film, Fire in Babylon, and this was a bit of a step down to say the least. We planned on giving half the money we raised that night to Mencap, so Mark Goldring the MD of the charity watched the film and said, yes, he would come and say a few words.

My work suffered, the week before the do I made so little money I only just covered my most basic living expenses. Then I got an email from Wellcome. Against my every expectation, they were delighted to inform us that they would be giving us a very decent sized grant to help get the film out there (because of its under the radar sciencey bits).

We decided to give all but a little of the money we raised on the night to Mencap. And, it was worth it. 60 people stood in the garden of the very kindly secretive philanthropist's house and they watched while I quacked on with Will about the film; they sipped the rather excellent drinks that the very kindly secretive philanthropist had paid for and their eyes definitely stayed on us and I couldn't hear talking at the back - even though I expected it. Afterwards we had an auction, and people slipped cheques into my pocket to buy shares (they put them somewhere, i was wearing a lime green strapless cocktail dress with no pockets).

In the end we raised about £25,000 in total. After the sensible people had gone home some less sensible people had a kitchen disco full of cheer and my Mum talked to everyone and got through lots of electric cigarettes. I hadn't drunk much because of nerves, but I felt drunk.

We have money now; and we gave lots of money to Mencap too.

I had better do some proper work now, it's getting a bit dire the lack of printed word I'm getting out there.

Every day I wake up and wonder when the BBC are going to email me with a yes or a no. I assume No to everything now, even though deep down I'm an optimist and a pile of yesses clank around in the deep bits of my psyche.

Talking of yesses and a noes. I did ask Tom if he wanted to come to the party and of course he said no. "No thank you I'm busy that day", he says, even though you've yet to mention a day. It really is a miracle we got him out of Bystock and on the road in the US. This whole film feels like a miracle.

We have been talking to Wellcome about the outreach around the film, about how to get the message in the film out to as many people as possible and trying to get Tom on the road is definitely part of it.

One hurdle leapt and another several appear...

Goodbye, thanks, happy rest of May to you x

Friday, 8 April 2011

'the last ten grand'. party only option - as ever

S>N>A>F>U IT feels like every six months I write something about having to find 'the last ten grand'. currently i'm finding my latest last ten grand, well maybe a little bit more. i've proved myself v poor (D+ at best) at the whole 'picture the scene' richard e grant in the player style pitching for dough. instead i'm going to do what i know, and throw another party.

this one is going to be small - back in the day, before i was sensible, we used to call them microwaves - or to make it sound bit grander, a boutique bunfight. there will be a bit of banter about the film with someone important who can lend it some deserved credibility and showbizification, a screening of some of the film, in a beautiful house, stuffed with cool contemporary art, that i am borrowing from a secretive and philanthropic good guy. we'll draft in some thinking man/woman's crumpet to give the do a bit of conversational sex appeal and social jeopardy.

i will beg, borrow and steal lovely food and good wines. at the end (if people pay me enough money not to bring out my alter ego, a ridiculous middle aged mid life crisis type female who is a complete disc jokey, aka, DJ Set Wrecker) my philanthropy-soldier buddy, Sigrid, and I will stand at the door with more begged, borrowed, stolen goody bags, a copy of the film to take away and our hands held out, selling stakes in the film.

the guest list is small and nearly full of, let's be honest here, PEOPLE WE KNOW WITH MONEY. but if anyone out there in the world thinks they should be at this do, get in touch.

best way to contact me is via twitter, @spicerlife; or email me katespicer AT btinternet DOT com

the directors, will and james, are found at spicer & moore, their production company

i would dearly love to talk about where the film is at now in great detail but a deep suspicion tells me not to. don't want to jinx nuffink.

love and light (as my dear dear very old friend victoria beckham likes to say), kate

comrades! let's get thomas spicer on the television set. he's got more charisma than holly willoughby (but smaller boobs, for now at least given the rate he's gobbling pies he's catching up fast)

Saturday, 5 March 2011